Contributing writer for Arts & Entertainment and Star Youth.
Dhanmondi has always had a cultural identity of its own – be it the grand two-storeyed family bungalows, the sounds of rehearsals at Chhayanaut, the majestic Eidgah Masjid, or the playfields that kids flocked to. Even with the sprawling high-rise buildings, Dhanmondi, its lake, and its street stalls still maintain its rustic charm.
The holiday season has always been synonymous with warmth, joy, and the timeless tradition of watching festive films that capture the spirit of the festivities. Over the years, these films have undergone a remarkable evolution, transitioning from timeless classics to contemporary gems. The golden age of holiday films is often associated with timeless classics that have become an integral part of our holiday traditions.
"The Archies", directed by Zoya Akhtar, is a heartfelt journey down memory lane interwoven with the chords of a teen musical. This highly-anticipated Netflix film thereby presents a nostalgia-tinted fairytale-esque musical that resonates with both longtime fans and those new to the iconic characters.
From stereotypical representations to more nuanced and empathetic depictions, the industry has played a crucial role in shaping public attitudes towards people with disabilities. In commemoration of the World Day of Persons with Disabilities, we delve into the journey of disability portrayal in Bollywood films, exploring shifts in narratives and their impact on societal perceptions.
There are films that we enjoy, and then there are the ones that are hard to forget. The latter moves us from within and changes the way we look at life. For me, “Kal Ho Naa Ho” is indelible with its rollercoaster of emotions. Written by Karan Johar and directed by Nikkhil Advani, the film featuring a stellar cast including Shah Rukh Khan, Preity Zinta, and Saif Ali Khan, marks its 20th anniversary today – since its release. At its core, the film is an exploration of the various facets of love, beautifully woven into the vibrant tapestry of New York City. As the film turns 20 today, let us revisit it one more time to remind ourselves to “haso, jiyo, muskurayo, kya pata kal ho naa ho.” (live and laugh, for tomorrow may not be there).
The third solo art exhibition by Zahangir Alom, titled "Songs of Soul," was inaugurated yesterday evening at La Galerie of Alliance Française de Dhaka.
What makes the humour questionable is one particularly problematic dialogue where a character implies that mental health is a construct for the rich. This dialogue not only disregards depression as a legitimate condition but also adds to the preexisting social stigma, implying that it's all 'just in our minds.'
Artists often push the boundaries of traditional techniques to convey their emotions, and in the process, they develop new forms or explore unconventional methods to establish a distinct style for themselves. Quite similarly, over the years, artist Rezaul Hoque has developed a novel approach to creating artwork through what he calls a “burning process”.
Dhanmondi has always had a cultural identity of its own – be it the grand two-storeyed family bungalows, the sounds of rehearsals at Chhayanaut, the majestic Eidgah Masjid, or the playfields that kids flocked to. Even with the sprawling high-rise buildings, Dhanmondi, its lake, and its street stalls still maintain its rustic charm.
The holiday season has always been synonymous with warmth, joy, and the timeless tradition of watching festive films that capture the spirit of the festivities. Over the years, these films have undergone a remarkable evolution, transitioning from timeless classics to contemporary gems. The golden age of holiday films is often associated with timeless classics that have become an integral part of our holiday traditions.
"The Archies", directed by Zoya Akhtar, is a heartfelt journey down memory lane interwoven with the chords of a teen musical. This highly-anticipated Netflix film thereby presents a nostalgia-tinted fairytale-esque musical that resonates with both longtime fans and those new to the iconic characters.
From stereotypical representations to more nuanced and empathetic depictions, the industry has played a crucial role in shaping public attitudes towards people with disabilities. In commemoration of the World Day of Persons with Disabilities, we delve into the journey of disability portrayal in Bollywood films, exploring shifts in narratives and their impact on societal perceptions.
There are films that we enjoy, and then there are the ones that are hard to forget. The latter moves us from within and changes the way we look at life. For me, “Kal Ho Naa Ho” is indelible with its rollercoaster of emotions. Written by Karan Johar and directed by Nikkhil Advani, the film featuring a stellar cast including Shah Rukh Khan, Preity Zinta, and Saif Ali Khan, marks its 20th anniversary today – since its release. At its core, the film is an exploration of the various facets of love, beautifully woven into the vibrant tapestry of New York City. As the film turns 20 today, let us revisit it one more time to remind ourselves to “haso, jiyo, muskurayo, kya pata kal ho naa ho.” (live and laugh, for tomorrow may not be there).
The third solo art exhibition by Zahangir Alom, titled "Songs of Soul," was inaugurated yesterday evening at La Galerie of Alliance Française de Dhaka.
What makes the humour questionable is one particularly problematic dialogue where a character implies that mental health is a construct for the rich. This dialogue not only disregards depression as a legitimate condition but also adds to the preexisting social stigma, implying that it's all 'just in our minds.'
Artists often push the boundaries of traditional techniques to convey their emotions, and in the process, they develop new forms or explore unconventional methods to establish a distinct style for themselves. Quite similarly, over the years, artist Rezaul Hoque has developed a novel approach to creating artwork through what he calls a “burning process”.
Today marks the silver jubilee of one of Bollywood’s legendary and cherished films, “Kuch Kuch Hota Hai”. Released on October 16, 1998, this Karan Johar directorial debut recommences holding a special place in the hearts of millions of fans – transcending generations and borders.
Most of the students from Dhaka University did not know about the fair and simply happened to pass by.